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Volume 19
Number 2 Winter 2002 |
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GREEN MACHINES
During the coming year, dozens of UC Davis employees will be tooling around Davis in these tiny two-seater electric Nissan Hyperminis. Its all part of a research project being conducted by UC Davis Institute of Transportation Studies to help industry and policy-makers plan the transportation future. Drivers will use these zero-emission city electric vehicles, or CEVs, for work trips around the UC Davis campus and city of Davis. Drivers will then assess the cars on criteria like interior space; speed and range; charging convenience; usefulness compared with other options such as walking, cycling or driving a conventional vehicle; and safety. UC Davis researchers will also assess whether vehicles like these stimulate discussions in the community about such issues as air quality, climate change and energy supplies, and the role individuals and communities can play in resolving them. We want to know how users like the cars. We also want to listen to the conversations the vehicles prompt, said Ken Kurani, a research engineer at the Institute of Transportation Studies and one of the studys lead investigators. What do people say about the cars? Do they imagine they would want such a vehicle? What do they imagine such vehicles do to their own travel, their town and their world?
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![]() This 19th century theater poster advertises one retelling of the Uncle Tom story; it is part of an extensive collection of posters and books relating to Uncle Toms Cabin in the Department of Special Collections in Shields Library. |
This may be the year that Harriet Beecher Stowes famous character, Uncle Tom, finally redeems his reputation after getting a bad rap for nearly 150 years, says a UC Davis expert on African American culture.
Since it was published in 1851, Uncle Toms Cabin has spurred not just abolitionist passions but caricatures of Uncle Tom and other slaves.
Patricia Turner, professor of African American and African studies, says the characterizations and the plot in the original novel differ dramatically from their popular-culture depictions. Almost immediately there were stage shows, musicals, comedies and eventually movies about it, she said. And few match the novel. In the novel, Uncle Tom allows himself to be beaten to death rather than tell the white masters the location of two runaway female slaves who have been sexually abused.
But the slur of Uncle Tom is still leveled at blacks by other blacks as a derogatory term for someone who has acted selfishly or is a sell-out, said Turner, a scholar of 19th and 20th century black culture and folklore and author of Ceramic Uncles and Celluloid Mammies: Black Images and Influences on Culture (1994).
She was a guest speaker this fall at the Harriet Beecher Stowe House in Connecticut in honor of the books 150th anniversary. Turner will also participate next spring in a conference at UC Davis that will focus on how the novel has been used by artistslike Spike Lee in his film Bamboozledas a springboard for their own creativity.